INT. BACKSTAGE AX-KOREA, SEOUL
Silhouettes of four GUYS standing in front of makeup mirrors, tended to by outlines of ASSISTANTS. The room is pitch black beyond the light-lined mirrors.
One by one, the assistants disperse and the guys turn to the right, features still in shadow.
EXT. AX-KOREA - DAY
A few thousand excited fans crowd a line that wraps the building, holding posters, signs, and memorabilia emblazoned with logos for "Angels & Demons".
INT. AX-KOREA AUDITORIUM - MOMENTS LATER
The audience stares at the dark stage, cameras at the ready. The house lights TURN OFF, and the audience SCREAMS. A logo bearing the words "Angels & Demons" lights up a massive screen at the back.
A center stage SPOTLIGHT reveals the boy band: JAEGI (22, dark and quiet), WOOJIN (21, the wild one), HYUNSIK (20, soft and sweet), and SEOJOON (21, timelessly handsome).
MUSIC starts, a hopping dance track with a booming bass. The boys move seamlessly into choreography.
Benny was beginning to think cafes were the greatest human invention as he sat surrounded by pure bliss in the form of an iced lavender jasmine green tea latte and about a dozen cats, all trying with increasing effort to place themselves somewhere on his body. He had one on each shoulder, three curled into a knot on his lap, one trying to crawl up his chest, and one trying desperately to hop from the perch on the wall behind him directly onto his head.
“I take it this was a good choice, then?” One black cat, Luna, peered at Benny imperiously from her Oliver throne across the low table.
“All the purring,” Benny said with such pure, boundless joy that Oliver could almost take off his cardigan. “I feel like my entire body is vibrating.”
Oliver laughed, earning him an annoyed look from Luna that she let pass this one time.
“Only black cats ever approach me,” Oliver said. “Which is weird, right? Cats are cats, tabby, calico, Persian. Whatever.”
“You know what they say about black cats,” Benny said. “If you’re superstitious.”
“I know what they say,” Oliver said. “Do you?
I do not have the words to scream for you, yet I convince myself you can hear. There is a piece of the night inside me, the same night inside you, and it connects us like a string from tin to tin. Has it always been there? Has it changed? Years spent hopping from person to person, desperate to find its twin, hoping if the stars shine brighter, it will be seen.
Maybe fame is a beacon, calling a single last ship to harbor. My boat is broken, many of the large pieces still intact by sheer force of will. I am afloat but only because my pride can’t allow anything less. Perhaps if I could sink, maybe you wouldn’t need to shine for me anymore. Dim your light, conserve your energy, I’ll send you a love letter in a bottle with my blood, seal the note in sweat, and push it away with tears.
My pride is the last thing under.
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Jeff and Suni survived an unearthly global attack and have finally arrived at their safe place. Or have they?
By some miracle, they drove to the shopping mall unnoticed. They circled down to the bottom level of the underground parking garage though anywhere below ground was considered safe.
When the car came to a stop, they sat there for a moment before jumping out to hug and kiss one another. They had survived! The last two weeks had decimated the global population, but the Catholic Church’s discovery of safety underground gave the remaining survivors reason to feel hope.
“You’re amazing, Jeff,” she said, one hand tangled in his hair.
“You are, Suni.”
A slight squeak made them jump. Suni pointed toward the top of a nearby pillar.
Devin Overman is a screenwriter, author, and freelance writer. Her first screenplay, Immaculate, advanced at the Austin Film Festival in 2015, where she went on to consult in 2016 and 2017. Her newest project, Falling Into the Sound (Korean title: 음에 천천히 떨어지다), has been optioned by Little Studio Films in association with Nite Lite Pictures. She’s been interviewed and quoted by MTV on the cross-over between music and literature.